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<\/p>\nLos carteles en el Liceu del m\u00edtico heroe de Wagner, Lohengrin, el salvador de la princesa Elsa de Brabante guiado por un cisne, recuerdan que el tiempo ha quedado suspendido.\u00bfCu\u00e1ntos proyectos quedaron interrumpidos, aplazados u olvidados? El cartel advierte \u00abestreno y debut de Katherina Wagner\u00bb, la bisnieta del mism\u00edsimo Wagner, compositor de la obra magna, que ha trascendido aunque sea por la marcha nupcial, estrenada en 1850 en Weimar, bajo la batuta de Franz Liszt, tatarabuelo tambi\u00e9n de la debutante.<\/p>\n
Las fechas indican \u00abdel 19 de marzo al 5 de abril\u00bb, pero es 9 de mayo, fecha pr\u00f3xima al inicio de la Fase 0 en Barcelona y la mirada desafiante de Lohengrin sigue imponente en las puertas del Liceu, mientras bajo sus soportales un grupo de personas sin hogar lleva un tiempo cobijado ah\u00ed. \u00abNos trasladamos aquellos d\u00edas de abril en que llovi\u00f3 tanto\u00bb, relata Jos\u00e9 Manuel Santos, que tras los problemas en la Estaci\u00f3n de Tren de Plaza Catalunya por no poderse confinar all\u00ed, pas\u00f3 a residir unos d\u00edas en el albergue de la Fira habilitado a causa del Covid. Asustado por la multitud de gente encerrada all\u00e1 prefiri\u00f3 volver a la calle.<\/p>\n
De los 80 m\u00fasicos de la Orquestra del Liceu que interpretaban la m\u00fasica de Lohengrin, uno de ellos, el violonchelista Matthias Weinmann, expresidente del Chiringuito de Dios, entidad del Raval dedicada a mejorar la vida de las personas sin hogar, acudi\u00f3 semanalmente desde el decreto de estado de alarma para proveer de productos b\u00e1sicos a la entidad, que hab\u00eda multiplicado su actividad debido a la gran necesidad de este colectivo por el cierre de los comedores sociales de la zona. \u00abPas\u00e9 cada semana por delante del Liceu hasta Pascua, pero nunca vi a nadie\u00bb, recuerda con cierta melancol\u00eda.<\/p>\n
Aquellos tres d\u00edas de lluvia incesante en abril, pasada la Semana Santa, quedar\u00e1n en la memoria de muchos, como un antes y un despu\u00e9s de aquel periodo. Babi y Nanda a los pies del Arco del Triunfo pudieron resguardarse en una tienda improvisada gracias a la donaci\u00f3n de un gran pl\u00e1stico por un vecino del barrio. A Adela se la dej\u00f3 de ver en las proximidades de correos, su cama estaba a la intemperie. La barraca m\u00ednima de David en el G\u00f3tico no aguant\u00f3 las primeras horas de lluvia. El aguacero forz\u00f3 a algunos a alojarse en albergues municipales abiertos por culpa del Covid. Incluso hubo quien se cobij\u00f3 en el aeropuerto de Barcelona, en las inmediaciones de la Terminal 1, que era la \u00fanica abierta hasta la Fase 2, con apenas 10 vuelos diarios.<\/p>\n
\u00abUnos polic\u00edas nos echaron del Liceo\u00bb, rememora Santos, pocos d\u00edas antes de que se abriera la Fase 0, que inicialmente estaba prevista para el 11 de mayo y se extendi\u00f3 hasta el 18 de mayo. \u00abNos fuimos todo el grupo a los soportales que hacen esquina con Puerta Ferrisa, as\u00ed podemos estar cerca de la parroquia Santa Anna y las monjas Agustinas\u00bb, donde les proporcionan comida a diario.<\/p>\n
Desde la apertura de sus puertas en 1847, el Liceu, edificio emblem\u00e1tico de Barcelona, templo de la burgues\u00eda catalana y gran testigo de la Rambla, ha tenido que interrumpir su programaci\u00f3n pocas veces: dos veces por incendio en 1861 y 1994, otra por un atentado anarquista en 1893, las huelgas de la Canadiense en 1919 tambi\u00e9n afectaron e inevitablemente durante la Guerra Civil. A su historia se suma ahora lo que algunos llaman la distop\u00eda del nuevo mundo en 2020 por el coronavirus, aunque no es la primera vez que cierra sus puertas por una epidemia. La gripe rusa de 1889 fue la primera. Cuatro meses convulsos a partir de diciembre azotaron al mundo tambi\u00e9n, con un mill\u00f3n de v\u00edctimas mortales, desde su origen en San Petersburgo hasta la totalidad del planeta. Pudiera establecerse un paralelismo entre el momento actual en que se han contabilizado 881.000 muertes por el Covid-19 con origen en China y aquel, aunque ni la poblaci\u00f3n es hoy la misma, ni el desarrollo cient\u00edfico-tecnol\u00f3gico.<\/p>\n
El cartel de Lohengrin fue retirado en la Fase 2 para anunciar la nueva temporada musical, coincidiendo tambi\u00e9n con la reapertura de la Terminal 2, que estuvo en letargo hasta el 8 de junio. Poco a poco, desde la Fase 0 hasta la 2, muchas personas que sobrevivieron en las calles volvieron a diluirse en la ciudad. El confinamiento en el Liceu y tantos otros rincones de Barcelona no transitados ha estado circunscrito al estado de alarma, como lo es en una \u00f3pera el drama de la vida adaptado a un escenario. A veces el final es esperanzador, en otras la \u00f3pera continua con la vida en la calle.<\/p>\n
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Tienda improvisada en la calle para protegerse de las intensas lluvias del mes de abril. Barcelona, 20 de abril. Foto: Eva Parey. \/\/ Makeshift tent on the street to protect a couple from the heavy rains in April.<\/p>\n
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Una pareja se resguarda de la lluvia bajo una tienda improvisada en la calle. La lona que un conocido les ha regalado cubre sus pertenencias y la poca chatarra recogida durante el confinamiento que no pueden vender. Ellos no pueden optar a confinarse en alguno de los albergues habilitados por el Ayuntamiento porque est\u00e1n dirigidos a hombres o mujeres y deber\u00edan separarse. Barcelona, 20 de abril. Foto: Eva Parey. \/\/ A couple\u00a0 takes shelter from the rain under a makeshift tent on the street. The large piece of plastic given by someone they know covers their belongings and the little scrap metal they\u2019ve collected from the street during confinement even though they cannot sell it anywhere. Also, they can\u2019t confine themselves in any of the shelters enabled by the City Council because they are meant for men and women by separated.<\/p>\n
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Said se instal\u00f3 en el portal de una tienda poco despu\u00e9s de que se decretara el estado de alarma. All\u00ed pasa el d\u00eda y la noche mientras dure el confinamiento, manteniendo limpio el espacio que ocupa. Antes viv\u00eda de la recogida de la chatarra. A falta de ingresos vive de la solidaridad de vecinos y entidades sociales, como Arrels Fundaci\u00f3. Barcelona, 24 de Abril. Foto: Eva Parey. \/\/ Said settled down on the portal of a store shortly after the State of Alarm was decreed. He has been there day and the night during the lockdown, keeping the space clean. Before, he made his living collecting scrap metal but now due to the absence of income, he lives of the solidarity of neighbors and NGOs, like Arrels Fundaci\u00f3.<\/p>\n
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Carmen de 63 a\u00f1os, ‘Trocito de cielo’ como as\u00ed la llamaban cuando era joven, pasa el d\u00eda entero confinada en un portal de Barcelona. A veces va al supermercado a comprar alg\u00fan alimento que compra con el dinero que algunas personas le dan cuando la ven all\u00ed. Varias entidades, como Arrels Fundaci\u00f3 y vecinos le llevan comida cada d\u00eda. Barcelona 24 de abril. Foto: Eva Parey. \/\/ Carmen, 63, spends the entire day confined at a building entrace in Barcelona. Sometimes she goes to the supermarket to buy some food with the money that some people gives to her and some entities, like Arrels Fundaci\u00f3, and neighbors bring her food every day.<\/p>\n
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Un grupo de personas pasa el confinamiento bajo los soportales del Liceu. Se instalaron tras las intensas lluvias del mes de abril, hasta que les echaron en las v\u00edsperas de la Fase 0, poco antes de la reapertura del Liceu. Barcelona, 6 de mayo. Foto: Eva Parey \/\/A group of people passes the confinement under the arches of the Liceu. They settled in after the heavy rains in April, until they were thrown out on the eve of Phase 0, shortly before the Liceu reopened.<\/p>\n
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Confinamiento bajo la muralla romana de la ciudad de Barcelona en la Plaza Berenguer el Gran. Barcelona, 9 de mayo. Foto: Eva Parey \/\/\u00a0<\/strong>Confinement under the Roman wall of the city of Barcelona in the Plaza Berenguer el Gran.<\/p>\n <\/p>\n Manuel se separ\u00f3 hace un a\u00f1o y medio. Su mujer se qued\u00f3 viviendo en el piso de propiedad con tres de sus hijos. Poco despu\u00e9s perdi\u00f3 su trabajo y pas\u00f3 a vivir en una furgoneta. Durante el confinamiento solo se ausenta de la furgoneta para ir a un comedor social. Antes iba al gimnasio, ahora hace ejercicio dentro de la furgoneta. Barcelona, 24 de abril. Foto: Eva Parey. \/\/ Manuel got separated a year and a half ago. His wife stayed in the family apartment with three of their children. Soon after, he lost his job and moved into a van. During lockdown, he only leaves the van to go to a soap kitchen. Before he used to go to the gym, now he practices exercise inside the van.<\/p>\n <\/p>\n Cruz Roja ha habilitado en Terrassa un albergue para 60 personas en una escuela de primaria, donde 12 plazas se han reservado para mujeres. Todas ellas comparten habitaci\u00f3n en el aula de m\u00fasica. Montse, abajo en la fotograf\u00eda, se intern\u00f3 a finales de Marzo. Viv\u00eda junto a su pareja en un piso ocupado, pero la misma persona que los instal\u00f3, los ech\u00f3 para trasladarse con su familia. Despu\u00e9s de estar unos d\u00edas en la calle, ambos decidieron acudir a Cruz Roja. En los casi dos meses de confinamiendo solo se ha detectado un caso de coronavirus, que en seguida derivaron al hospital. Terrassa, 12 de mayo. Foto: Eva Parey. \/\/ Red Cross have set up a shelter for 60 people in a primary school in Terrassa, where 12 places have been reserved for women whom share all together what used to be the music classroom. Montse, below in the photograph, was admitted at the end of March. She lived with his partner in a squat house, but the same person who installed them kicked them out to move with his family. After spending a few days on the street, both decided to go to the Red Cross. In almost two months of confinement, only one case of coronavirus has been detected in the shelter and who was sent inmediately to hospital by the Red Cross.<\/p>\n <\/p>\n Francisco est\u00e1 en el Pabell\u00f3n de los Fr\u00e1giles dentro de la escuela Frederic Soler. Cuando se qued\u00f3 en situaci\u00f3n de calle, ni siquiera el alcoholismo le consol\u00f3. Tras un grave accidente entra en el albergue de Terrassa y posteriormente en la pandemia es trasladado a la escuela Frederic Soler, donde se repone f\u00edsicamente y ya ha superado la adicci\u00f3n al alcohol. Terrassa, 12 de mayo. Foto: Eva Parey. \/\/ Francisco is in the Pavilion of the Fragile within the Frederic Soler school. When he was left homeless, not even alcoholism comforted him. After a serious accident, he entered i the Terrassa shelter and later in the pandemic he was transferred to the Frederic Soler school, where he recovered physically and overcame his addiction to alcohol.<\/p>\n <\/p>\n Cruz Roja en colaboraci\u00f3n con diversos Ayuntamientos ha habilitado albergues en diferentes localidades para que las personas sin hogar puedan pasar el confinamiento en un lugar protegido. Una vez se entra ya no es posible salir, salvo situaciones de excepci\u00f3n. Terrassa, 12 de mayo. Foto: Eva Parey. \/\/ In collaboration with various municipalities, Red Cross has set up shelters in different locations so homeless people can spend their confinement in protected places. Once you enter, it is no longer possible to exit, except in special situations.<\/p>\n <\/p>\n Una mujer procedente de Ruman\u00eda recoge chatarra en el trayecto que hay desde su casa hasta el supermercado en el barrio de Bon Pastor. Hace dos d\u00edas que una de las chatarrer\u00edas del barrio ha abierto. Barcelona, 6 de Mayo. Foto: Eva Parey. \/\/ A woman from Romania collects scrap metal on her way from her home to the supermarket in Bon Pastor\u2019s neighborhood. One of the neighborhood\u2019s junk yards opened it\u2019s doors two days ago.<\/p>\n <\/p>\n Alberto ha pasado el confinamiento en el hall del metro de la Terminal 1 del aeropuerto del Prat. A excepci\u00f3n del momento de salir a buscar comida para pasar el d\u00eda, el resto del tiempo ha estado sentado en un rinc\u00f3n. El Prat de Llobregat, 23 de mayo. Foto: Eva Parey. \/\/ Alberto has passed the lockdown in the underground hall of Terminal 1 of the El Prat airport. Except for the time of going out to pick up food to spend the day, the rest of the time he is sitting in a corner.<\/p>\n <\/p>\n En el aeropuerto del Prat de Llobregat se han confinado unas 20 personas en el hall del metro. Con un tr\u00e1fico aereo m\u00ednimo la Terminal 1 est\u00e1 des\u00e9rtica. Antes del estado de alarma dorm\u00edan en toda la terminal unas 40 personas. Muchos se han ido al albergue habilitado por el Ayuntamiento de Barcelona. 23 de mayo. Foto: Eva Parey. \/\/ About 20 people have been confined in the metro hall at the Barcelona airport in El Prat de Llobregat. With minimal air traffic, Terminal 1 is deserted. Before the alarm, about 40 people slept throughout the terminal. Many have gone to the shelter set up by the Barcelona City Council.<\/p>\n <\/p>\n Una parte de este post ha sido incluido en el art\u00edculo \u00abEn Barcelona vuelve el hambre\u00bb de Corry Hanck\u00e9 publicado en De Standaard el 13 de junio de 2020:<\/p>\n https:\/\/www.standaard.be\/cnt\/dmf20200619_04996320<\/a><\/p>\n <\/p>\n <\/p>\n <\/p>\n The posters outside the Liceu\u00a0<\/em>of Wagner’s mythical hero, Lohengrin, the saviour of Princess Elsa of Brabant guided by a swan, remind us that time has been suspended. Who knows how many projects have been interrupted, postponed or forgotten. The poster announces the \u00abpremiere and debut of Katherina Wagner\u00bb, the great-granddaughter of Wagner himself, composer of the magnum opus, celebrated if only for its wedding march. It premiered in 1850 in Weimar, under the baton of Franz Liszt, great-great-grandfather of the debutante.<\/p>\n The dates shown read \u00ab19 March to 5 April\u00bb but today is 9 May, close to the start of Phase 0 in Barcelona, yet Lohengrin’s defiant, imposing gaze can still be seen on the doors of the Liceu<\/em>, while under its arches a group of homeless people have been sheltering there for a while. \u00abWe moved here in those days in April when it rained heavily,\u00bb says Jos\u00e9 Manuel Santos, who resided for a few days at the Fira shelter enabled due to COVID-19, after issues at the Plaza Catalunya train station prevented him from sheltering there. However, worried about the number of people locked up in the shelter, he decided to return to the streets.<\/p>\n Of the 80 musicians from the Orchestra of the Liceu who performed the music of Lohengrin, one of them, the cellist Matthias Weinmann, former president of the Chiringuito de Dios<\/em>, a Raval organisation dedicated to improving the lives of the homeless, has attended every week since the state of alarm decree to provide the organisation with basic products. The organisation\u2019s activity has increased greatly due to the growing needs of this group after the closure of local soup kitchens. \u00abI spent every week in front of the Liceu<\/em>right up until Easter, but I never saw anyone\u00bb, he remembers, somewhat sadly.<\/p>\n Those three days of incessant rain in April, just after Easter, will stand out in the memory of many as a turning point. At the foot of Arc de Triomf, Babi and Nanda were able to take shelter in a makeshift tent thanks to the donation of a large piece of plastic from a local resident. Adela was last seen in the vicinity of the post office, her bed out in the open. David’s Gothic Quarter shack couldn\u2019t stand the first few hours of rain. The downpour forced some to stay in state-run shelters opened due to COVID-19. There were even those who took shelter in Barcelona airport, near Terminal 1, the only terminal open up until Phase 2, with just 10 flights a day.<\/p>\n \u00abSome policemen threw us out of the Liceu<\/em>,\u00bb Santos recalls, a few days before Phase 0 opened, which was initially scheduled for 11 May but which was postponed until 18 May. \u00abThe whole group went to the porticos on the corner of Portaferrissa Street, so we could be near the Santa Anna parish and the Augustinian nuns\u00bb, which provides food to the homeless on a daily basis.<\/p>\n Since its doors opened in 1847, the Liceu<\/em>, emblematic building in Barcelona, \u200b\u200b temple to the Catalan bourgeoisie<\/em>and great witness to the Ramblas, has had its programming interrupted a number of times already: twice due to fire in 1861 and 1994, once again in 1893 due to an anarchist attack, La Canadenca strikes of 1919 also had an effect and inevitably during the Civil War. To this list we can now add what some are dubbing the dystopia of the new world in 2020 due to the coronavirus, although this isn\u2019t the first time it\u2019s had to close its doors due to a pandemic. The Russian flu of 1889 was the first: four turbulent months starting in December also shook the world, with a million fatalities, originating in Saint Petersburg and spreading across the globe. A parallel could be made with the current situation, with 881.000 recorded deaths from COVID-19 originating in China, although it\u2019s important to remember that neither the world population nor scientific-technological progress are the same as they were back then.<\/p>\n The Lohengrin poster was withdrawn in Phase 2 to announce the new musical season, also coinciding with the reopening of Terminal 2, which had been dormant until 8 June. Slowly but surely, from Phase 0 to 2, many people who had survived on the streets once again diluted into the city. Confinement in the Liceu<\/em>and so many other untraveled corners of Barcelona has been circumscribed to the state of alarm, as in an opera we see the drama of life adapted to a stage. Sometimes the ending is hopeful, at other times the drama of life continues on the street.<\/p>\n <\/p>\n <\/p>\n <\/p>\n This documentary project is possible thanks to the COVID-19 fund of the European Journalism Centre.<\/em><\/span><\/p>\n <\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Los carteles en el Liceu del m\u00edtico heroe de Wagner, Lohengrin, el salvador de la princesa Elsa de Brabante guiado 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